What's the Point?

 Recently, my MFA students asked a common question, what’s the point? We began the discussion after reading two interesting reports.  The first is published by Author’s Guild in2020. Christine Larson, Ph.D., assistant professor of journalism at the University of Colorado, studies the impact of technology on media workers and culture industries. “But the days of authors supporting themselves from writing may be coming to an end. The changing economy of publishing today means that reliable income and time—the metaphorical room for writing—are increasingly out of reach for many authors.”

The second is offered by Sarah Nichols in her 2021 report posted on one of my favorite blogs, Book Riot.  According to Nichols, it all depends. She crunches the numbers, comparing incomes for self-published and traditionally published authors. 

“… people tend to be deeply unsatisfied with my “it depends” answer. There is no way to predict how much a book will make, but I spoke with 15 authors of all stripes to demonstrate the variety of options. I spoke with self-published authors and traditionally published authors who have made less than they spent on expenses, authors of both paths who easily make a living off their writing, and everyone in between.”

For my response, I returned to an old favorite, a steady, inspirational read by Christopher Vogler, The Writer’s Journey (Michael Wiese Productions, 1992), and one of my favorite discussion topics. 

While the book explores the monomyth, made famous by Joseph Campbell, and its impact in the storytelling process, Vogler expands the myth to include the writer herself. Every storyteller bends this archetypal pattern to her own purpose or the needs of her culture. That’s why the hero has a thousand faces, states Vogler. But at the heart of the story is always a journey.

The hero’s journey, you may remember, is found in all sorts of storytelling, most especially in adolescent and young adult. The profound truth of adolescence is the separation from parent, the search for uniqueness and the triumphant integrating into wholeness – the return to being. You can see how this hero’s journey is mapped out in J. K. Rowling’s Harry Potter and the Sorcerer’s Stone, Lois Lowry’s The Giver, and Rick Riordan’s The Lightning Thief.

Writers go on a similar journey, states Vogler. In fact, as he states, “The hero’s journey and the writer’s journey are one and the same.”

Writing is certainly hard work, “a perilous journey inward to probe the depths of one soul.” It is a fearsome process, no matter how many books one has under their belts. Sue Grafton, author of the wildly popular Kinsey Millhone Alphabet Series, once stated, “Most days when I sit down at my computer, I’m scared half out of my mind.” The mighty Stephen King noted, “I’m afraid of failing at whatever story I’m writing – that it won’t come up for me, or I won’t be able to finish it.” Even the mythic J.R.R. Tolkien said, as the first book of his iconic series was published, “It is written in my life-blood…I am dreading the publication, for it will be impossible not to mind what is said. I have exposed my heart to be shot at.”

So why write, we ask ourselves? We go through all this agony! What’s the point?

Says Mary Karr (The Liar’s Club), “I write to dream; to connect with other human beings; to record; to clarify; to visit the dead. I have a kind of primitive need to leave a mark on the world.”

Vogler shows that anyone – new as well as established writers – who sets out to write a story encounters all the trials and tribulations, joys and rewards of the hero’s journey.

A writer encounters her trickster, taking shape as computer problems, doctor appointments and time management issues, and other “enemies of the status quo that also bring perspective on the process.

A writer meets the grumpy threshold guardian in the form of our inner and relentless judgments of our work. The tension rises as we face the searing remarks of a reviewer, a copyeditor, an agent, or an editor. And finally, we cross the Rubicon. We are published. 

But the journey is just beginning, as we “fully enter the mysterious, exciting Special World” of a published writer. The ordeals become all the more exhausting as we face deadlines and revisions and constant rejections. As we build our platforms and speak – holy moly! – to readers. And our beloveds go out of print, and favorite editors retire, and the rise of the internet dragons.

Along the way, if we are lucky, we meet our sidekicks, our Dr. Watson, our Rory and Amy, our Hermione Granger, our Samwise Gamgee. Sometimes, we meet our Dumbledore or Gandalf wielding his magic purple crayon, the sage who gives advice, who tells us to keep going.  

Just keep swimming. Don’t give up.

Take hope, states Vogler, “for writing is magic. Even the simplest act of writing is almost supernatural…We can make a few abstract marks on a piece of paper in a certain order and someone a world away and a thousand years from now can know our deepest thoughts. The boundaries of space and time and even the limitations of death can be transcended.”

 --Bobbi Miller