On doing your job (when you are a groundhog)
So, I’ve always wondered what Punxsutawney Phil
thinks of Groundhog’s Day.
Now I’m no expert on groundhogs—or Groundhog’s Day, for that
matter—but I can imagine that most days Phil wakes up and goes about his normal
groundhog business. This probably
involves breakfast of some sort. I’m
almost certain it involves a quick trip to the toilet. And then it is off to work, doing whatever it is that
groundhogs do to keep busy (digging and staring at stuff, according to
Wikipedia).
But every February 2nd, things are a little
different. Even before he has a
chance to make his morning coffee (I lie.
Groundhogs don’t drink coffee—probably), Phil is rudely yanked from his burrow by a man in a top hat
and held up in front of a crowd.
There is music, applause, and a crowd gathered for a celebration. Then Phil is ordered to look for his
shadow (which he probably doesn’t.
First of all, I doubt he can follow English language instructions, and
secondly, he’s probably busy thinking about how he still needs to pee).
It all seems fairly traumatic. And since groundhogs don’t use calendars (probably), he’d
never sure when it’s going to happen again. And this is bad, because my two-minute internet-based
education on groundhogs tell me that they are kind of paranoid little creatures
to begin with. So no one should be surprised that groundhogs are wrong about the arrival of
spring 63% of the time. After all,
how could they possibly be good at their jobs when their working conditions are
so stressful?
Sometimes I feel like finding the motivation to write is a
lot like wrangling a recalcitrant, paranoid groundhog who desperately needs to
pee.
Most mornings I sit down at my desk, fire up my computer, put
my fingers on the keyboard, remind myself that I have deadlines and ambitions,
and that people counting on me and have expectations for my work, and that I
must write vast amounts and write well in order to do my job. Then I freeze up. My motivation (quite sensibly) has
burrowed deep into the earth and is digging an escape route to
get away from me while I try to grab it by its furry ankles, drag it out into
the sunshine, and tell it to get cracking. This method—not unlike the method of
getting weather predictions from a terrified woodland creature in front of a
large and boisterous audience—fails to produce anything of use 63% of the time.
The lesson that I have to learn
over and over again is that motivation runs when I chase it. I have to coax it. And coaxing it involves forgetting
about all of the things that are external to writing (like deadlines,
expectations, ambitions, etc.) and searching for that elusive state of mind
where the story seems to write itself.
A state of mind that, if it were described as a place
(because there is nothing I love more than stretching a metaphor well beyond
its limits) might look an awful lot like a quiet wood—where a well-rested
groundhog has just finished his morning coffee and is preparing to step outside to quietly check the weather.
Lizzie K. Foley (www.lizziekfoley.com) is new to Smack Dab in the Middle. She is also the author of the middle grade novel REMARKABLE (Dial/Penguin, 2012)--a story about a deeply ordinary girl who has to save her extraordinary town with the help of a pair of criminally-minded twins, several pirates, the world's worst science fair project, and an elusive lake monster named Lucky.
Very good points well made, Lizzie Foley. "That elusive state of mind where the story seems to write itself."
ReplyDeleteI love the idea of motivation needing to be coaxed, rather than chased.
ReplyDelete