Challenge Accepted
The question posed for this discussion is what “unobtainable
gift” would you hope to receive? I’ve talked about my writing process as a
writer of historical fiction for young readers. There are a few additional
factors I need to keep track of that goes beyond having authentic artifacts and
noting the correct years. It means that I need to integrate appropriate social
constructs, and psychological authenticity that dominated the era, and illustrate
the emotional connection between youth from 200 years ago to today (because
being human doesn’t change, even if times change). And then translate this into
experiences that young readers can connect to. It’s easy to get overwhelmed by
the details. It’s also easy to get frustrated when I can’t seem to “get it
right” – whatever that means. And sometimes, my brain just quits working
altogether. Especially during finals
week.
As William Kenower, in his book Fearless Writing (Writers
Digest Books, 2017), reminds us, self-doubt runs rampant in creative work
because of the nature of the creative. The reality is, if one has any
aspirations to be a published writer, they need the validation of others. This
validation comes in the form of good reviews, awards, contracts. Not only this,
writers need to write for the reader, taking into account how the reader
approaches the text. Which means, by implication, writers need to write for
others, not themselves. But writing, as a process, often stems from a very
personal, even emotional understanding of the narrative. It's the
oxymoron of writing.
And when it doesn't work, when a writer doesn't get the
validation, it becomes an exercise in self-flagellation. The rejection feels
personal.
The reality is, the business of writing is the most
impersonal place, more so that other businesses. It's exceptionally transitory:
editors are constantly leaving, publishing houses are merging and collapsing.
New houses rise up out of the ashes. The internet, and the popularity of self-publishing,
complicates the business all the more.
Working in the creative makes it more challenging because,
unlike science and other industries, there are no rules to follow. One
plus one always equals two, but writers dwell in the abstract. Market
analysis reveals some things that work effectively: understanding tropes that
define each genre, understanding the audience, and so on. But even then, there
are exceptions. And trends are always shifting. Some writers do everything
right, and never get published. Others break every rule and get a six-figure
deal.
Ultimately, it becomes a matter of faith. Sometimes you
can't predict the outcome, but you need to have faith in your story. Sometimes
you need to be reminded to keep the faith.
One of my favorite writers and bloggers – Yvonne Ventresca – belongs to the Insecure Writer’s Support Group. According to their mission statement: The Insecure Writer’s Support Group is a website media business, a home for writers in all stages, from unpublished to bestsellers. The IWSG offers support for writers overcome their insecurities, and by offering encouragement, they are creating a community of support.
So the question becomes: what unobtainable gift do you hope
to receive? Perhaps it’s not so much unobtainable, as it is a magnificent
challenge. Or perhaps it’s just plain madness.
“It's like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness and danger they were. And sometimes you didn't want to know the end… because how could the end be happy? How could the world go back to the way it was when so much bad had happened? But in the end, it’s only a passing thing… this shadow. Even darkness must pass.” -- J.R.R. Tolkien, The Two Towers (The Lord of the Rings, #2)
Bobbi -- thank you for the lovely mention. :)
ReplyDelete"Sometimes you can't predict the outcome, but you need to have faith in your story." So true. And I can't wait to read your next historical novel!
I love that description of the oxymoron of writing.
ReplyDelete