When the Cat Explodes
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Ursula Le Guin |
"Ultimately you write alone. And ultimately you and you alone can judge your work. The judgment that a work is completeāthis is what I meant to do, and I stand by itācan come only from the writer, and it can be made rightly only by a writer whoās learned to read her own work. Group criticism is great training for self-criticism. But until quite recently no writer had that training, and yet they learned what they needed. They learned it by doing it." -- Ursula Le Guin, Steering the Craft
On another blog I talk about my current search for an agent. I searched for years for the right agent, firing two agents along the way because they were not serving my best interest. Finally, finally I found the ONE. After five years, and the sale of my two historical fiction middle grade books, my agent decided to focus on picturebooks and so ended our relationship. For a year now, Iāve been in search of a new agent. I write historical fiction, focusing on forgotten characters (usually girls, who are not represented enough) and events (because I think as a nation, we are historically illiterate and have forgotten our own story) that helped build the American landscape. I write historical American fantasy, a unique blending of the tall tale tradition and character that captures so much of the American identity with the historical American landscape.
Careful to do my research, and asking for recommendations, Iāve sent out two to three queries a week. Giving time for responses, Iāve sent out close to thirty queries. Most have given me the silent rejection and not responded. A few responses rejected the manuscript because historical fiction is a hard sell. A few others offered only that it was a bad fit. One asked for a revision, and then ultimately passed. Another asked for another revision, offering detailed observations.
But now, I struggle with the writing. I struggle with getting it done.
I am reminded of Neil Gaimanās speech on how to live the creative life, delivered in May of 2012 at Philadelphiaās University of the Arts:
āWhen things get tough, this is what you should do: Make good art. Iām serious. Husband runs off with a politician ā make good art. Leg crushed and then eaten by a mutated boa constrictor ā make good art. IRS on your trail ā make good art. Cat exploded ā make good art. Someone on the Internet thinks what youāre doing is stupid or evil or itās all been done before ā make good art. Probably things will work out somehow, eventually time will take the sting away, and that doesnāt even matter. Do what only you can do best: Make good art. Make it on the bad days, make it on the good days, too.ā āNeil Gaiman, on making good art. See more at Maria Popovaās Brain Pickings here.
The definition of āgood artā seems to shift between readers, between agents, between editors. One agent rejected my story, stating it has too many characters while the plot was exciting. Another agent stated that she loved all the characters but the plot is too quiet. Another said there was too much reflection, while another said it had too much narrative. The indomitable Ursula Le Guin speaks to this notion:
āThanks to āshow donāt tell,ā I find writers in my workshops who think exposition is wicked. Theyāre afraid to describe the world theyāve invented...This dread of writing a sentence that isnāt crammed with āgutwrenching actionā leads fiction writers to rely far too much on dialogue, to restrict voice to limited third person and tense to the present. They believe the narratorās voice (ponderously described as āomniscientā) distances the story ā whereas itās the most intimate voice of all, the one that tells you what is in the charactersā hearts, and in yours. The same fear of ādistancingā leads writers to abandon the narrative past tense, which involves and includes past, present, and future, for the tight-focused, inflexible present tense. But distance lends enchantment...ā states Ursula LeGuin, on her criticism of John Rechyās essay that āattacks three ārules of writingā that, according to him, often go unchallenged: These three rules include 1.Show, donāt tell. 2. Write about what you know. 3. Always have a sympathetic character for the reader to relate to.ā (Find more of Ursula LeGuinās wisdom on her blog here.)
So whatās a writer to do? First, have courage to break the rules, but finish the story.
Neil Gaiman reminds us that, āYou have to finish things ā thatās what you learn from, you learn by finishing things.ā (To learn more about Neil Gaiman advice to aspiring writers, and to see a podcast interview, visit Maria Popovaās Brain Pickings here.)
āIf youāre only going to write when youāre inspired, you may be a fairly decent poet, but you will never be a novelist ā because youāre going to have to make your word count today, and those words arenāt going to wait for you, whether youāre inspired or not. So you have to write when youāre not āinspired.ā ā¦ And the weird thing is that six months later, or a year later, youāre going to look back and youāre not going to remember which scenes you wrote when you were inspired and which scenes you wrote because they had to be written.ā -- Neil Gaiman
So with this new year, during this time of new beginnings: Finish your story. Learn the rules. Break the rules. Make new mistakes.
āBecause if you are making mistakes, then you are making new things, trying new things, learning, living, pushing yourself, changing yourself, changing your world. Youāre doing things youāve never done before, and more importantly, youāre Doing Something.
"So thatās my wish for you, and all of us, and my wish for myself. Make New Mistakes. Make glorious, amazing mistakes. Make mistakes nobodyās ever made before. Donāt freeze, donāt stop, donāt worry that it isnāt good enough, or it isnāt perfect, whatever it is: art, or love, or work or family or life.
Whatever it is youāre scared of doing, Do it.ā āNeil Gaiman.
Wishing you a year of making good art.
Bobbi Miller
Photo of Ursula Le Guin courtesy Euan Monaghan/Structo
Wishing you a year of good art, too! This post is inspiring.
ReplyDeleteThank you for your kind words. YOU inspire me, Yvonne!ā¤
DeleteSo much good food for thought.
ReplyDeleteThank you, Bobbi.This post was meant for me today.
ReplyDeleteThank you, Kathy. I'm always so heartened to learn I'm not the only one going through all this. The business of writing is so challenging!
DeleteBobbi, you are a fabulous writer. Keep at it!
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DeleteI needed this today. I'm procrastinating a revision because I'm scared of messing up. I realize now I just have to dig in and do it to move forward. Thanks!
ReplyDeleteEvery one of us can relate to that fear. You just have to dig in, as you say. Easier said than done at times, but not impossible! ā¤ā¤ā¤
DeleteLe Guin is amazing. What a great quote!
ReplyDeleteI'm just seeing this now, wow, what a powerful post. You have such an ability to find the most amazing quotes to strengthen your theme. Best of luck in your search for an agent. And meanwhile keep making that good art!
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