Perhaps to Dream
“It's a dangerous business, Frodo, going out your door. You
step onto the road, and if you don't keep your feet, there's no knowing where
you might be swept off to.” -- J.R.R. Tolkien
This month, as we continue to explore the meaning of sacrifice, we
contemplate what we sacrifice to find time for our writing. Sacrifice, by definition, means the
slaughtering of an animal, or a person, or surrendering a precious possession
to the divine.
However, allow me to offer a different perspective. As Mary Karr (The Liar’s Club) offers,
“I write
to dream; to connect with other human beings; to record; to clarify; to visit
the dead. I have a kind of primitive need to leave a mark on the world.”
I tend to think that the sacrifice moves in the other direction. We sacrifice our writing in order to pay the bills, to raise a family, to be with friends, to live in a world that tends to downplay the arts. And worse, too often we define ourselves not by our writing, but by what others think of our writing.
In other words, we
tend to sacrifice the divine – our writing – for something
more mundane.
As William Kenover, in his book Fearless Writing (Writers
Digest Books, 2017) reminds us, self-doubt runs rampant in creative work because
of the nature of the creative. The reality is, if one has any aspirations to be
a published writer, they need the validation of others. This validation comes
in the form of good reviews, awards, contracts. It also comes from friends and family. But –
allow my honesty – relationships are complex even in the best of times. Family
may not always understand this need to connect, to use Mary Karr’s word. However well-meaning, families can make one feel
guilty for taking the time to write. They may not understand the sting of
rejection, and therefore minimize your feelings. Friends can be just as
demanding, and just as minimizing. Julia Cameron (The Artist’s Way, 1990) calls
them the crazymakers, persons who ultimately have no respect for your work.
But too often writers do their own worse crazymaking. Writers
need to write for the reader, taking into account how the reader approaches the
text. Which means, by implication, writers need to write for others, not
themselves. But writing, as a process, often stems from a very personal, even
emotional understanding of the narrative. It's the oxymoron of writing. And
when it doesn't work, when a writer doesn't get the validation, it becomes an
exercise in self-flagellation.
The reality is, the business of writing is the most
impersonal place, more so that other businesses. It's exceptionally transitory:
editors are constantly leaving, publishing houses are merging and collapsing.
New houses rise out of the ashes. Agents quit. The internet, and the popularity
of self-publishing, complicates the business all the more.
Working in the creative is challenging because, unlike
science and other industries, there are no rules to follow. Writers dwell
in the abstract. Market analysis reveals some things that work effectively:
understanding tropes that define each genre, understanding the targeted audience,
and so on. But even then, there are exceptions. And trends are always shifting.
Some writers do everything right, and never get published. Others break every
rule and get a six-figure deal.
Ultimately, it becomes a matter of faith. Sometimes you
can't predict the outcome, but you need to have faith in your story. Sometimes
you need to be reminded to keep the faith. Perhaps the sacrifices that need to
be made are less about the metaphorical slaughter, and more about keeping the
dream. You have to pay the bills, but you don’t need to play along with the
crazymaking. Sometimes, letting go is not the end of anything, but just the beginning of a great adventure.
Take hope, states Christopher Vogler (The Writer’s Journey, 1992),
“... for writing is magic. Even the simplest act of writing is almost
supernatural…We can make a few abstract marks on a piece of paper in a certain
order and someone a world away and a thousand years from now can know our
deepest thoughts. The boundaries of space and time and even the limitations of
death can be transcended.”
--Bobbi Miller
"Working in the creative is challenging because, unlike science and other industries, there are no rules to follow. Writers dwell in the abstract." So true, Bobbi!
ReplyDeleteI love the term crazymakers. What a fantastic post.
ReplyDeleteWow! Inspiration for my writing journal and my mind. Reading MG novels for mentor texts. I recommend FREEWATER! SEE Writers' Rumpus blog by Hilary Margitich. Beth
ReplyDeleteI love this. Especially the reverse notion of sacrifice. I see how our minds were on a similar track Bobbi since we both went to Webster for a definition.
ReplyDeleteThank you, everyone! I'm so glad you found this helpful!
ReplyDelete