UNKNOWN DESTINATIONS
On Monday, my official spring break starts. As a college professor and a parent, spring
break has meant a week out of the classroom, and sometimes if we’re lucky, a
chance to see something of the world.
But travel in our household also comes with great uncertainty; uncertainty
because my husband is an airline employee which means mostly we fly standby to
a place we didn’t expect. This year, we’ve contemplated Paris and Puerto
Rico, with fleeting dreams of Istanbul, Barcelona, Mexico, and for one short
night we talked about the possibility of Prague. All of this imaginary travel means hours on
the Internet, books borrowed from the library.
I’ve planned more trips than I’ll ever live to take, and when Sunday
comes, I can’t tell you where we’re going, or where we will be staying, or what
it will be like; I only know the pet sitter will arrive and my journey will
begin.
“Isn’t that nerve-racking?” people ask. “All of that
unknown?”
And of course, it absolutely is. Every year, I long for a vacation of
stability, a chance to buy a ticket, book a regular hotel room with our destination
known, arrangements set, maybe an umbrella on a beach, or one of those
luxurious blue pools I admire in the pictures.
But then I think about the fabulous surprises: our sudden week in Nice,
the blue doors of Delft, the village in the French alps with the beautiful
canals—and my adventure-self comes to life again, suddenly I’m ready to set out
with nothing but a suitcase and the faith that we’ll end up someplace worthy in
the end.
I suppose it’s mostly temperament, how much unknown anyone
can take, and maybe it’s the years I’ve clocked at writing, embarking on so
many novel-journeys with no sense of what’s ahead, that makes this kind of
travel possible for me.
“Isn’t that nerve-racking?” people ask when they hear about
my writing. “All those years of working without guarantee? Spending all that time on a book that won't be published? Tossing out two hundred pages at a time?"
And in truth, it absolutely is. Some day I’d like to write a book I could
predict; a book where all the twists and turns were known, a book without the
messy detours, the missteps, the characters that turned out to be flat, the
plot that petered out. I’d like to sit
down at that blank page that marks every beginning and know exactly where I’m
going, when and where it will be published, the reviews that will be written,
how many copies will be sold. Better
yet, I’d like the book to write itself while I sit beside the pool sipping
fruity drinks. And I’d like it to be
perfect. Is that too much to ask?
But then I think about the story trips I’ve taken: The day I
met Gray James, first saw his old guitar, heard the shy, sweet way he asked Raine to take a walk. I think of Pride and Nightingale
and Baby setting up their souvenir shop, or Faina McCoy seeing her first
snowfall. I think about Justine’s secret
letters in that drawer, how broken Old Finn was the day I finally found him in
Duluth. I think about the orphans
coming to the Arts Extravaganza, watching Raine dream Lyman into life. I think about the summer nights I swam under
the stars, the turtle pond, the way Sparrow Road smelled like candle wax and
lemon. Unexpected destinations every
one. And I think about how glad I was to
be there, to meet the story people, to enter their new world. The thrill of unplanned travel.
Now my husband interrupts to tell me about Arles. Aix-en-Provence. He’s found six flights a day we could take
from Paris. Maybe they’ll have
space. “That’s where Justine was,” I
say, “when she wrote those secret letters to Old Finn.” Maybe next week I’ll land in southern France
and see them for myself—the greens and golds and blues she loved so much. “Sounds great,” I say, reaching for the
guidebook, hooked again on all the possibilities ahead.
In travel and in story, it's the mystery that gets me every time. It's why I pack my suitcase, and why I sit down at the page; it's why I travel through the story-dark with the heart of an explorer, a modern day adventurer convinced that some amazing wonder is waiting up ahead.
So true, Sheila...Writing is a wild adventure. One I NEVER would have wanted to miss out on.
ReplyDeleteI've been thinking quite a bit about the spirit of adventure required--and the many risks as well, because there are no guarantees. I often hear my MFA students lament the uncertainty of it all, and yet.... something keeps us going. Curiosity perhaps? Blind faith? Hope? A little bit of each?
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